Archival pigment print on Baryta

175x140 cm 

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The work unfolds as a reflection on the fragile dialogue between man and nature. Water — a central motif — becomes both subject and mirror, revealing the subtle interplay between matter and human perception.
In these works, chromatic inversion transforms water into a dark, oil-like substance — a delicate metaphor for our dependence and consumption.
The pixels, arranged according to the Fibonacci sequence, re-emerge as traces of a natural order that resists digital noise reminding us of our quiet addiction to the artificial, to the surface of things we now approach with disarming ease.

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